Sep 2, 2008

Asana Anatomy - Upward Facing Dog Part I

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My post for myyogaonline
Asana Anatomy – Upward Facing Dog


Our animal friends are a wonderful study in the fluidity of yoga. It is no coincidence that when a dog wakes from a nap, he can be seen moving slowly through upward dog and downward dog and casually walk away satisfied. The family pet makes urdhva mukha svanasana, or upward facing dog, look simple, and we can embody this ease when we too practice the pose.

Let’s dissect this asana.

Working from the ground up
In most cases we move into upward dog as part of a vinyasa sequence, coming from chaturanga, but for ease we will start from the floor. Lying on our stomach, uncurl the toes and allow the tops of the feet to come in contact with the floor. Spread the toes and feel all five toenails in contact with the floor. This subtle engagement triggers an active lengthening into the tibialis anterior muscles of the shin, and up into the adductor muscles of the inner groin, and hip flexor group at the front of the thighs. Place your hands, fingers spread wide, close into your rib cage, below the nipple line.

Next comes the most magnificent part of upward dog, preparing for the heart opening benefits of the back bend. Although our entire spine will be coming into extension – from our cervical to our lumbar spines – the majority of the back bend comes from our thoracic spines. Due to the relationship between the shoulder blades and the thoracic spine, it is important to co-ordinate the efforts between these two areas of our anatomy. Roll the shoulders open, so that the pectoralis muscles of the chest become stretched, and the rhomboid muscles between the shoulder blades and the spine become active, gently moving the shoulder blades towards each other. Now soften.

Bring your attention to your lower spine and gluteus muscles of the buttocks. Naturally, as we move into extension, the erector spinae muscles running up and down the spine will contract, and the gluteus maximus of our buttock will contract as the hip begins to extend. Ensure before we start these actions that you are not gripping or clenching. Engage the stability of the core by lifting the muscles of the pelvic floor to support the sacroiliac joint and tuck the belly button in and up towards the spine to engage the transverses abdominus to support the lumbar spine.

Open to Possibility
Upper Body
Keeping open across the collarbones, press into the palms evenly, finding balance between pronation (inward rotation) and supination (outward rotation) at the wrist. Squeeze the elbows towards the ribs as you begin to straighten at the elbows, actively outwardly rotating the upper arms to turn the eyes of the elbow, the crease, forward. Begin to reach out through the crown of the head, creating space between the vertebrae of the neck. With a long neck, send the throat back, gently engaging the deep neck flexor muscles, which support the cervical spine. With your drishti or gaze down the nose, begin to turn the face up, keeping the action of the deep neck flexor muscles.

Core
Now expand through the inner body, growing long through the side body, lengthening the oblique muscles of the core and the intercostals muscles between the ribs. Imagine the space between each rib growing. Check in with your front ribs. The action of uddiyana bandha, belly button in and up, should also bring the lower ribs in. Keep the pelvic floor muscles gently engaged.

Lower Body
As the hips and thighs begin to lift up off the mat, keep the adductor muscles of the groin active, like they are holding a ball of energy, pressing towards each other. Lengthen through the tailbone – without tucking - to create space in the lower lumbar spine. As the lumbar spine moves into extension, the sacrum at the base of our spine naturally nutates or tips forward. Trying to tuck the tailbone will only increase any tension in the lower lumbar area. The feet continue to press firmly and evenly into the mat. Now only the palms and the tops of the feet should be in contact with the floor.

To be continued.....